Retour sur l'exposition "Metamorphosis, Fantasy Visions in Starewitch, Švankmajer and the Quay Brothers" - avec une interview et une vidéo
Pour finir l’année 2021 et commencer 2022, un petit retour sur l’exceptionnelle exposition
qui s’est tenue du 26 mars au 7 septembre 2014 au CCCB à Barcelone (voir sur le site)
Avec une vidéo retraçant l’exposition.
Et une interview de Carolina López, commissaire de l’exposition (El Pais, 25 septembre 2014).
Le texte de l’interview de Carolina López :
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Carolina López: 'We are still drawn to the irrational, the magical'
Por: Alx Phillips | 25 de septiembre de 2014
The more we try to make sense of our world, the more we crave the weird and the wonderful. Metamorphosis - Fantasy Visions in Starewitch, Švankmajer and the Quay Brothers, a new exhibition at Madrid's La Casa Encendida from 2nd October to the end of the year, draws us into the dark imaginations of two individual and one twin set of artists, all of whom work or worked on the fringes of film, animation and art. As its curator, Carolina López Caballero, explains below, the show developed in continual dialogue with its protagonists and 'puppet masters', the artists, Jan Švankmajer (1934) and Timothy and Stephen Quay (1947), and Irina Starewitch, the daughter of stop-motion animation pioneer Ladislas Starewitch (1882-1965). The effect is a deliberately disorientating yet revelatory experience – the kind of show that you go into, but never really come out of.
CL: Most of us will recognise something of their work, they are massively influential. Yet they remain obscure, marginal, so protective of their visions that they might spend a decade fighting to find funding.
Ladislas Starewitch was Polish. He held onto his Polish passport despite moving around and eventually settling in France in the 1920s. He spoke six languages, and you find as many Russian and Polish elements as French ones in his films. He became hugely famous but he never went mainstream.
Jan Švankmajer is from Prague. He's 100% Czech and his art is inextricably linked with its capital, the 'magical city' of André Breton. He still lives there.
Timothy and Stephen Quay are American. They studied graphic design at the Philadelphia College of Art, where they came across some amazing posters by Polish artists and became absolutely fascinated by them, by the designs, but also by the worlds they discovered within them, of theatre and art. This was, of course, the pre-Google age. They moved to London and enrolled at the Royal College of Arts. Almost immediately upon their arrival they took a trip to Poland. So while all these artists are from different places they meet in the same place.
While often associated with the ‘creative animation’ world, these are all 'artists' in the less categorical sense: they make films, they work with their hands, and they draw on a myriad of literary, cultural and scientific references. I wanted to engage the wider public by exploring these references and also making links between the artists. Also, I think, nowadays we are increasingly drawn to the irrational, the poetic, the magical! And these artists are fascinated by those times when art and science merge, that vein that runs through history, from the Renaissance through the 18th century spirit of discovery, into the 19th century Romantic fascination with feeling and the darkness of human nature, all the way to 20th century symbolism and surrealism. Their desire is to transform, to 'metamorphosise' all these references into something coherent, complete, aesthetic.